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Kim Brandt
Paperback - $49.95
Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandts account of the min ...
Rebecca Brown
Paperback - $113.95
"Asian Art" is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history.
Robert Bruce-Gardner
Hardcover - $45.95
This magnificently illustrated catalogue documents a landmark exhibition of more than sixty of the finest extant Tibetan works.
Michael Brunelle
Paperback - $29.95
This extraordinary on-the-page class in brush painting explores both the technical and spiritual aspects of China's ancient art, helping students to paint with confidence, skill, and understanding. Lavishly packed with breathtaking illustrations and ...
Chris Buckley
Hardcover - $92.95
Tibetan Furniture is an authoritative and compre- hensive resource. This book explains the forms and uses of Tibetan furniture, the construction an decoration of the main types, and the history of many designs.
Emma C. Bunker
Hardcover - $90.95
This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
John J. S. Burton
Paperback - $56.95
This is a new pictorial odyssey through Laos, with 1,200 color photographs of subjects closely encountered in all districts throughout the length and breadth of the land btwn 2001 and 2005, identified and indexed in an almost encyclopedic fashion.
Ergun Cagatay
Hardcover - $137.95
James Cahill
Paperback - $99.95
First published in 1980, James Cahill's Index is the most comprehensive English-language compilation available on Chinese painters and their works from the late 6th through the mid-14th century. Incorporating the work of Ellen Johnston Laing and Osva ...
James Cahill
Paperback - $46.95
Creating paintings with poetic resonances, sometimes with ties to specific lines of poetry, is a practice that began in China in the eleventh century, the Northern Sung period. Cahill vividly surveys its first great flowering among artists working in ...